As a recipient of my time, I seek to understand and to transform.
Through visual spaces, I create moments of pause and confrontation. Dreams are an integral part of my artistic process. They arise from my present — shaped by world events, the city, rough surfaces, industrial facades, prefab buildings, culture, and encounters. Here, traces take form: emotions, interventions, signs that cannot be corrected or erased.
Dreams offer me access to my subconscious — an unfiltered perception of the present. The tension between reality and self-experience defines my artistic practice.
My work is a process of collecting, discarding, and reducing. Materials, circumstances, and resistance are part of this process. I work with sculpture, painting, and performance — often site-specific and physically engaged.
What emerges are works that do not aim to explain, but to be felt.
I am drawn to the unfinished, the fragmentary, the elements that resist a smooth surface. The traces of process are allowed to remain visible — they speak of friction, movement, and transformation.
In my work, I seek closeness to people. I am part of a collective engaged in cultural exchange within urban space. This social context feeds back into my practice. In engaging with my generation — its restlessness, doubt, and longing — I create works that aim to spark dialogue, not deliver judgment.
For me, art is not a fixed state, but a living means of engagement — with myself, with my surroundings, and with the time I live in.
